| Elizabeth Randles’ Baby Walker | |
|---|---|
| |
|
Origin |
Elizabeth Randles |
|
Type |
Baby Walker |
|
Effects |
Movement creates music |
|
Downsides |
Handler and audience shrink in size |
|
Activation |
Moving/hearing |
|
Collected by |
Warehouse 12 |
|
Section |
|
|
Aisle |
692879-2482 |
|
Shelf |
164691-1904-758 |
|
Date of Collection |
October 20, 1843 |
| [Source] | |
Origin[]
Elizabeth Randles was a child prodigy on the harp and piano who began to play at sixteen months old and performed her first concert at two. The “Little Cambrian Prodigy” was taught by her father, a blind organist, and performed at three and a half for the aristocracy and King George III.
Effects[]
Moving the object induces it to release musical melodies until it becomes motionless. Placing it under constant motion, such as upon a treadmill, will allow it to create a continuous overture rather than snippets of disparate songs. When near any instrument, the pieces will act as a partnership and create beats that play off each other. Any listeners and especially the handler will be at risk of shrinking until they are the size of a toddler.